My New Recording Studio

I’m quickly becoming an audio geek – or maybe “audio aficionado” sounds better.

Ever since I recorded my “Spring Security” course in late 2013 with Packt, I’ve been striving for high quality audio.

I’m now recording a new course – REST with Spring – so audio quality is top of mind again.

You can tell a lot about the production quality of a course by the audio it’s using. If it sounds warm, rich and crystal clear – it has high impact and helps get you in the right mindset for learning. If however it sounds choppy and has a lot of echo or harsh highs and lows, it’s probably just thrown together with a 5$ build in mic on a laptop.

So, obviously I wanted to go for the high quality sound – which is why I invested in studio level equipment now that I’m recording again.

Here we go.

Shure SM7B Microphone

You can feel that the SM7B is a great mic by simply picking it up – it’s heavy, super high quality and very well put together.

Shure-SM7B

+ on Amazon

Focusrite Scarlett 6i6

The Scarlett is a fantastic preamp, but the SM7B is a very gain-hungry mic, so in order to drive enough gain into it, I also had to get a CloudLifter to go along with it.

Scarlett-6i6

+ on Amazon

Cloud Microphones Cloudlifter CL-1

Simplicity itself – works exactly like it should, by driving an extra 25dB of clean gain to the mic.

Cloudlifter-CL-1

+ on Amazon

RĂ˜DE PSA1 Boom Arm

This boom arm is a solid but also remarkably easy to set up. I used the stand grip, not wanting to drill a hole in my desk – and it stayed there ever since, with no discernible movement.

SM7B-with-RODE-PSA1

+ on Amazon

Sony MDR7506 Professional Headphones

My normal headphones aren’t meant to let you hear the raw audio – you need studio focused gear for that. They’re of course not great for normal use, but for recording, you’re able to hear yourself perfectly – which is very helpful.

Sony-MDR7506

+ on Amazon

Other Components

The final piece of the puzzle are of course the cables – good balanced XLR cables to connect the microphone to the Cloudlifter and then that to the preamp.

Total Investment and Results

The audio quality I’m getting from this setup is incredible. It really surprised me the first time I played it audio that requires very little post-processing and a simple way to record, given the boom arm can be safely tucked close to the wall when I’m not recording, and comes right in front of me when I am.

The total investment was just over of 1000$ (1049$ including shipping), but looking at the audio quality, it’s totally worth it. Plus – I’m planning to record more than just this first course.

  • Could I ask how you connected this mic to the arm? Did you need some sort of adapter? Thanks!

    • Hey Steve – no adapter – you just screw it in (the mic has screws on the site).